The recently released film “Killers of the Flower Moon” by Martin Scorsese represents his continued exploration of lengthy, historically inspired narratives. Delivered through Apple TV+, this three-and-a-half-hour movie delves into the disturbing history of Native American murders for their oil money, overshadowed by the indifferent attitude of the authorities. While the film is earnest and committed to accuracy, its emotional depth seems somewhat compromised, with the character of Ernest, played by Leonardo DiCaprio, appearing as a weak link in conveying the movie’s profound scale and significance.
However, Lily Gladstone’s portrayal of Mollie Kyle, an Osage woman affected by the events, stands out as a strong and authentic performance, although hindered by occasional gaps in the character development. Scorsese’s narrative, adapted from David Grann’s book with a screenplay co-written by Eric Roth, meticulously chronicles the series of events, bringing to light a significant chapter in US history. The inclusion of the 1921 Tulsa Race Massacre serves as a contextual reminder of the brutality endured by people of color a century ago.
The narrative gains momentum with the introduction of the FBI in the latter part of the film, prompting a shift in the storytelling that could have been introduced earlier for added impact. Despite the film’s grand ambitions, it appears to lack the expected resonance, potentially overshadowed by Scorsese’s impressive filmography and the inherent expectations tied to his name and the film’s star-studded cast.
“Killers of the Flower Moon” will have a wide theatrical release, including on numerous IMAX screens, contributing to its grandeur. This approach aligns with Scorsese’s recent focus on lengthy, historically significant dramas, evident in his previous project “Oppenheimer.” While the film contributes to a larger cinematic experience, it appears to lack the anticipated impact despite its ambitious goals.
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