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With meticulous attention to character development and a directorial approach that breathes life into the story, the film explores universal truths in a way that captivates viewers. As we explore the intricacies of this production, one cannot help but ponder the impact it leaves in its wake.
In delving into the film ‘My Dead Friend Zoe,’ it is crucial to first explore the introduction and background that set the stage for this poignant exploration of the impact of PTSD on military veterans. Directed and co-written by former Army paratrooper and Iraq veteran Kyle Hausmann-Stokes, the film premiered at the prestigious South by Southwest festival. Drawing inspiration from his own platoonmates, the movie serves as a heartfelt dedication to those grappling with the harrowing effects of post-traumatic stress disorder (PTSD).
At the center of the narrative is Merit, portrayed by the talented Sonequa Martin-Green, a character who navigates the complexities of life as an Afghanistan veteran battling PTSD. Through Merit’s journey, the audience is invited to witness the internal struggles and external challenges faced by many veterans. By shining a spotlight on this important issue, ‘My Dead Friend Zoe’ aims to foster understanding and empathy towards those who have served their country and are now grappling with the aftermath of war.
Exploring the intricate layers of Merit’s journey as a mechanic grappling with PTSD and the spectral presence of her deceased comrade Zoe, ‘My Dead Friend Zoe’ delves into a narrative that intertwines personal struggles with supernatural elements to convey the poignant challenges faced by military veterans.
The plot unfolds as Merit navigates court-mandated meetings while also caring for her ailing grandfather, showcasing the multi-faceted responsibilities she carries. The script not only delves into Merit’s struggles but also addresses the broader issue of PTSD across different generations of soldiers, shedding light on the complexities of reintegrating into civilian life after serving in the military.
Sonequa Martin-Green’s compelling portrayal of Merit in ‘My Dead Friend Zoe’ showcases a depth of character that resonates with audiences, while director Hausmann-Stokes skillfully weaves in the ghost story element to enhance the film’s core messages. Martin-Green’s performance as Merit is a standout, capturing the complexity of the character with nuance and emotional depth. Her ability to navigate Merit’s internal struggles and external conflicts adds layers to the narrative, drawing viewers into the character’s journey.
Hausmann-Stokes’ directorial approach is lauded for balancing the supernatural elements of the ghost story with the film’s thematic undertones. By seamlessly integrating these aspects, the director creates a cohesive and engaging storytelling experience. The chemistry between Martin-Green and Natalie Morales, who plays Zoe, further elevates the film, bringing authenticity to their relationship and injecting moments of humor amidst the emotional depth. The ensemble cast as a whole delivers impactful performances, contributing to the film’s overall resonance with audiences.
The overarching themes of emotional struggle and societal isolation in ‘My Dead Friend Zoe’ transcend its military backdrop, resonating deeply with audiences on a universal level. Through its portrayal of PTSD and the challenges of emotional suppression, the film delves into the human experience of loneliness and inner turmoil, touching the hearts of viewers beyond military circles.
Despite its comedic label, the movie’s poignant depiction of life post-war, dementia, and feelings of inadequacy strikes a chord, highlighting the harsh realities faced by active and retired service members. By shining a light on these universal themes, ‘My Dead Friend Zoe’ not only entertains but also educates, fostering empathy and understanding for those grappling with similar struggles.
This film’s importance lies in its ability to provoke introspection and dialogue about the emotional toll of war and the resilience required to navigate through life’s darkest moments. It serves as a poignant reminder of the human cost of conflict and the enduring need for compassion and support in facing these challenges.
This exclusive analysis provides a deep dive into the film’s character dynamics, unveiling the initial events that set the stage for a series of nightmarish twists.
As we explore the meticulously crafted cinematic elements, it becomes evident that Arcadian Movie 2024 is not just a film but an immersive experience that challenges perceptions and leaves viewers pondering long after the credits roll.
In setting the stage for ‘Arcadian Movie 2024,’ the narrative plunges viewers into a harrowing post-apocalyptic world where survival is a daily struggle for Paul (portrayed by Nicolas Cage) and his twin sons, Joseph and Thomas. The film opens with a sense of impending doom, as the atmosphere is filled with sirens blaring and explosions echoing, signaling the collapse of civilization. This dystopian setting creates a tense and immersive experience for the audience right from the start.
As the story progresses, a fifteen-year time jump reveals the grim reality of the world the characters inhabit. The once-thriving society has crumbled, leaving Paul and his sons to navigate a dangerous and unforgiving landscape. The challenges they face are not only physical but also emotional, as they grapple with loss, fear, and the constant struggle for survival.
Through expert storytelling and compelling visuals, ‘Arcadian Movie 2024′ effectively establishes the dire circumstances that shape the characters’ lives and sets the tone for the gripping narrative that unfolds.
Amidst the desolate backdrop of a post-apocalyptic world, the intricate interplay of personalities between Paul, Joseph, and Thomas unfolds with palpable tension and contrasting dynamics in ‘Arcadian Movie 2024′.
The characters’ traits and roles within the family are crucial in setting the stage for the unfolding events. Here’s a closer look at the character dynamics and initial events:
These contrasting personalities not only create tension within the group but also drive the storyline forward, especially as they navigate the enigmatic occurrences during the night.
The tension in ‘Arcadian Movie 2024’ reaches a chilling crescendo as the horrifying creatures lurking in the shadows are unveiled, revealing a nightmarish fusion that grips both characters and audience with fear.
The film takes a sinister turn as Thomas disappears in the woods, setting off a chain of events that lead to the unsettling revelation of monstrous beings. These creatures are a ghastly amalgamation of primate and xenomorph, exuding a spine-chilling aura with their contorted bodies, hair, teeth, and indiscernible features.
The director’s masterful execution in gradually exposing these nightmarish entities enhances the horror, creating a palpable sense of dread that keeps viewers on the edge of their seats. The meticulous attention to detail in crafting these creatures instills a deep sense of unease, leaving both the characters within the narrative and the audience paralyzed with fear at the ghastly sight before them.
As the nightmarish fusion unfolds on screen, it evokes a primal fear that lingers long after the credits roll.
Exploring the visual and auditory components that shape the immersive experience of ‘Arcadian Movie 2024’, one delves into the intricate tapestry of cinematic elements meticulously woven throughout the film.
The latest cinematic sensation, ‘Arcadian Movie 2024,’ has captivated audiences with its dystopian tale and chilling narrative. Led by Nicolas Cage, the film plunges viewers into a post-apocalyptic world where survival becomes a gripping struggle. The intricate character dynamics between Paul and his sons Joseph and Thomas set the stage for a series of nightmarish twists. As the story unfolds, horrifying creatures emerge, masterfully crafted to evoke primal fear. Directorial brilliance is evident in the film’s visual and auditory elements, from the haunting score to the realistic creature design. ‘Arcadian Movie 2024’ is not just a film; it’s an immersive experience that challenges perceptions and leaves a lasting impact on viewers.
Also Read: Nicolas Cage Unleashes Horror: A Chilling Preview of ‘Longlegs’ in New Poster
]]>The film’s primary flaw, aside from its extended runtime, lies in its lack of a clear direction. Despite numerous set pieces and explosions, “Leave the World Behind” struggles to establish a sense of forward momentum. The characters are intentionally confined to a single location, creating a feeling of both entrapment and security. However, this plot-heavy structure prevents the film from delving deeper into its characters’ psyches for the emotional resonance it strives for.
Esmail remains faithful to Rumaan Alam’s novel, resulting in an episodic narrative that mirrors the source material’s measured pace. While the film provides an entertaining thrill ride with unexpected twists, it falls short of achieving the necessary depth for impactful emotional moments. Despite its flaws, “Leave the World Behind” captivates audiences with its unconventional storytelling.
The story begins abruptly with Amanda Sandford (Julia Roberts), a combative woman, deciding on a spontaneous family getaway. As strange events unfold at their rented paradise, including a blackout and unexpected house guests, tension escalates. The characters, including G.H. Scott (Mahershala Ali) and his daughter Ruth, navigate a world in the throes of a cyberattack, heightening fear and uncertainty.
Esmail employs sweeping camera movements and drone shots to inject kinetic energy into the film. While some stylistic choices may distract from the narrative, others, like vertically floating shots emphasizing class and race dynamics, enhance the film’s thematic elements. The cast, led by Ali, grounds the film, with his captivating performance adding layers of fear, paranoia, and desperation to crucial moments.
Ali’s presence becomes a standout element, compensating for the film’s extended duration. While Esmail’s visual flair occasionally overshadows the story, Ali’s performance ensures engagement. The thriller’s climax delivers unpredictability and tension, redeeming some of its earlier shortcomings.
“Leave the World Behind” explores themes of isolation and the importance of physical media in a digital age, offering a thought-provoking perspective. Despite its surface-level approach, the film, distributed by Netflix, amusingly champions the enduring power of DVDs, Blu-rays, and vinyl records. In the end, this 141-minute thriller, with its flaws and strengths, manages to leave a lasting impression.
Also read: Wonka Wonder: Timothee Chalamet Brings a New Magic to Roald Dahl’s Chocolate Universe”
Leave the World Behind serves as a chilling warning about our dependence on technology. It’s a relevant narrative highlighting the deep-rooted divisions in contemporary American society that could lead to its collapse.
Leave the World Behind is just as captivating as it sounds, with gripping tension and impressive performances. Unfortunately, it falters in the end and explains the obvious a bit too much, leaving us with a disappointing conclusion.
Ruth and G. H. Scott bring up the pandemonium in Leave the World Behind as potentially stemming from a nuclear disaster, similar to the Three Mile Island incident.
]]>Yes, “Poor Things” is inspired by the book of the same name written by Alasdair Gray. Although it is a work of fiction, the film draws its inspiration from the storytelling of the novel.
The production design, atmosphere, and score are absolutely stunning. Stone delivers her most impressive performance to date, and the world created in this film is truly captivating. Despite losing some steam towards the end, the movie remains incredibly entertaining. And in the end, even though it’s a bit strange, it’s the good kind of strange that we can get behind.
Emma Stone’s exceptional performance in Poor Things highlights her comedic and dramatic prowess. The movie delves into the concept of personal metamorphosis and rebelling against societal boundaries.
]]>However, this season sees a drastic increase in nonstop violence, surprising viewers accustomed to the show’s more nuanced approach. The shift raises questions about the show’s evolution and whether it aligns with the appeal it once held. Created by Will Smith and adapted from Mick Herron’s novels, “Slow Horses” maintains strengths in characters like Jackson Lamb (Gary Oldman), the embodiment of both body odor and mental acuity. Lamb oversees MI5’s expendables, a group retained for messy situations requiring disposable manpower.
The season starts with Lamb’s team sorting through files, a seemingly mundane task that hints at deeper complexities. The slow horses, particularly River Cartwright (Jack Lowden), find themselves grappling with seemingly menial work, prompting speculation about their futures. Lamb, with his slovenly appearance and strategic acumen, remains a compelling character, reminiscent of Peter Falk’s “Columbo.”
The storyline unfolds as paperwork is relocated to an old bomb shelter, categorized in a system inspired by The Beatles. The higher-level files stay at MI5, while the lower-level ones are stored away. Diana Taverner (Kristin Scott Thomas) and Ingrid Tearney (Sophie Okonedo) add intrigue as mirror images and natural enemies vying for power. Evidence of illegal activities in the files becomes a potential threat to both, leading to a complex web of schemes and sabotage.
While Lamb’s character remains a highlight, the other slow horses lack development, reduced to their vices without the exploration of their personal lives promised in the source material. The season introduces dark humor through Lamb’s confrontations with bureaucrats and power brokers, highlighting the pettiness and office politics within the intelligence service.
The decision to inject more violence and action into the series raises questions about its direction. The show’s charm lies in its attention to petty grievances and office politics, offering a glimpse into a world where cover-ups thrive. As the slow horses yearn to get back in the game, it’s essential for the series to explore their motivations. The choice to delay this exploration with increased violence might impact the show’s original appeal.
Also read: Wish Review: A Disney Tale of Magic and Transformation
Slow Horses season 3 is the ideal show to watch at the moment. It follows a group of individuals giving their all, while simultaneously being more capable and less experienced than they realize.
Season 4 of Slow Horses is officially confirmed, solidifying the show’s immense popularity and clear trajectory.
Ex-MI5 leader Jackson Lamb and his team of outcast agents return for another thrilling mission. This time, they are ensnared in a plot that could reveal a long-hidden MI5 secret in London, tied to a love affair in Istanbul. As they work to untangle the web of deceit, they encounter peril, betrayal, and surprising turns of events.
Currently, he is composing and serving as the executive producer for See-Saw’s rendition of Mick Herron’s Slow Horses series. Additionally, he is in the process of developing various unique projects.
]]>While the absence of fluttering doves distinguishes it from Woo’s signature style, the melodrama injected into this otherwise ordinary chase reveals the maestro’s touch. Despite the subsequent dismal quality of “Silent Night,” the prologue serves as a fitting entry to a film that oscillates between being provocatively anonymous and wildly idiosyncratic.
The prospect of Woo tackling the vigilante genre, akin to “Taken” or “Peppermint,” may seem promising on paper. Yet, the genre has suffered from ineptitude behind the camera, and “Silent Night” emerges as a derivative, albeit intriguing, concoction stealing from both John Wick and Liam Neeson. However, in the hands of a filmmaker like Woo, known for transforming pulp fiction tropes into pop opera, this may be more of a feature than a flaw.
Notably, Robert Archer Lynn’s script is a standout, unfolding without a single line of dialogue. Brian Godluck (played by Kinnaman) embarks on a vengeance mission after his son’s murder, but a gunshot to the vocal cords robs him of speech. This unique premise turns stylized movie violence into a language, conveyed through extended training montages. Stripping dialogue from a simple vigilante story about an avenging father committing acts of violence makes surprisingly little difference. In this American John Woo venture, dialogue takes a back seat, reminiscent of a Sofia Coppola film without a thermonuclear explosion the absence doesn’t feel glaring.
Brian Godluck’s character doesn’t contribute much verbally, and Woo’s expressive camera movements often speak louder than words. The absence of dialogue becomes an invitation for Woo to indulge in his natural tendencies. However, the film fails to live up to the explosive potential that such excess once promised.
The film’s flowery excess builds towards an underwhelming assault sequence, where the banality of the material overshadows Woo’s eccentricity. Despite the John Woo DNA present throughout the journey, the fireworks themselves are a fourth-rate Hollywood copy-paste, lacking the credibility of the director’s renowned action choreography. The film’s only redeeming fight is a visceral kitchen brawl, a subtle nod to David Fincher’s “The Killer.”
Whether John Woo’s creative spark waned or if the banality of the story dulled his interest, “Silent Night” ultimately rewards patience with a disappointing finale. Woo’s cinematic prowess doesn’t lend itself well to half-measures, and this film, likely the nadir of his eclectic body of work, falls short of capturing the true essence of John Woo’s cinema.
Also read: Disney and Apple’s Thanksgiving Box Office Woes: A Critical Look at ‘Wish’ and ‘Napoleon
Even if you’re a fan of action, Silent Night offers enough to please. While the lack of dialogue is a cool concept, I personally think this type of movie could use a bit more. It’s a tad cheesy at times, but still worth checking out if it piques your interest.
Silent Night, often perceived as a holiday film, actually explores the themes of false information, spreading fear, and the need for bravery in a society where the government and media might not always be honest with its citizens.
The weight on the shoulders of the young is truly highlighted in the final scene, as the camera pans over rows of bodies in the grand estate, with the entire family peacefully asleep after taking their medication. There is only a single survivor: Art. He awakens to find his deceased mother, father, and siblings surrounding him.
This film is classified as Rated R for intense bloody violence, drug use, and some strong language.
]]>The notion of dividing this extensive narrative into digestible 45-minute episodes held promise. Yet, despite the increased running time, the problems that plagued “Australia” persist in “Faraway Downs,” the extended version. The narrative feels bloated, lacking emotional nuance, historical depth, and wrestling with tonal confusiona concoction resembling “The African Queen” meets “Crocodile Dundee.”
The core issue with “Faraway Downs” lies in its rather meager storyline. Set against the backdrop of World War II, Nicole Kidman’s Lady Sarah Ashley, a seemingly prim Englishwoman, embarks on a journey to Australia to assert control over her destiny. However, upon arrival, she is confronted with her husband’s demise, thrust into the unruly chaos of the Australian outback.
Her guide in this wild terrain is Hugh Jackman’s cattle drover, a character introduced through a bar brawl, lacking subtlety as one of the most overt archetypes in screen history. Their relationship follows a predictable trajectorystormy yet transformative. However, even with more breathing room, it remains a generic and one-dimensional fictional romance.
The problematic portrayal of Indigenous Australian characters, notably Lady Sarah’s affection for Nullah, complicates matters further. Despite well-intended acknowledgments of custodianship, Luhrmann’s treatment of minority ethnic characters lacks depth and feels tokenistic. Nullah is still depicted in an exoticized and passive manner, perpetuating a sense of white savior syndrome.
Luhrmann’s pursuit of an epic cinematic spectacle overlooks the nuanced details that give stories resonance. The resulting series, like the vast Australian landscape it explores, feels empty and devoid of the depth necessary for meaningful storytelling. In this case, size certainly isn’t everything.
Also read: Good Burger 2 Review: A Nostalgic Feast with Thompson and Mitchell’s Timeless Humor
A Bonus Hour of Footage Faraway Downs is divided into six chapters, each lasting anywhere from 25 minutes to 50. The entire Hulu series is 3 hours and 44 minutes long, while the Australian version runs for 2 hours and 45 minutes, resulting in an extra hour of new content.
Hulu’s new release, Faraway Downs, debuts on November 26. It’s being billed as “a film in chapters” by the streaming service and “episodic storytelling” by Luhrmann. This reimagining of Luhrmann’s 2008 epic, Australia, includes new footage and re-edited sequences from the original two-hour and 45-minute film.
Debuting on Hulu, Faraway Downs is a six-part film with a lengthy 226-minute runtime. Director Luhrmann makes it clear that it is not just an extended version of “Australia,” but rather a unique variation that delves deeper into the story.
Faraway Downs is not a replica of the movie Australia. It’s a made-up place from the film. But, both share a connection because they’re both directed by Baz Luhrmann. The movie Australia features famous actors like Nicole Kidman and Hugh Jackman and falls under the category of an epic historical romantic drama.
]]>Wish is filled with nods to other Disney movies, which fans love but cause critics to lose focus on the story and characters. The movie dives into weighty issues like religion, earning applause for its message from audiences while drawing flak from those who view it as an affront to faith.
The movie follows a solid storyline and includes some direct nods to classic Disney works, but it doesn’t quite tug at the heartstrings the way Disney movies usually do. The animation is definitely the standout feature of the film.
Similar to past Disney musicals, Wish includes funny moments, hidden references, and certain parts that may be too much for younger audiences, leading to its PG rating. With a reasonable length and exciting fantasy and adventure components, Wish is a child-approved film suitable for all ages.
If you’re planning to watch Wish, I highly recommend catching it in 3D, if you can. The unique animation really shines in 3D, and it’s a shame Disney couldn’t have made it a 3D exclusive (even though I know it’s not possible in many ways, a girl can still dream, right?).
]]>The narrative follows a conventional yet profoundly touching trajectory. Two lonely souls, navigating lives filled with alcohol, challenging jobs, and external troubles, serendipitously cross paths. Alma Pöysti’s, a grocery store cashier with a compassionate heart, loses her job for aiding a hungry homeless man. As she embarks on her journey, the radio reports on the distant war in Ukraine, subtly weaving a contemporary thread into the film’s timeless aesthetic.
Set in the present day but draped in Kaurismäki’s signature retro mise-en-scene, every detail evokes a bygone era. Analog dials on radios, basic microwaves, and guitars with single-coil pickups contribute to the director’s distinct visual language. Ansa’s encounter with Jussi Vatanen’s Holappa, a man often immersed in a bottle, sparks a delicate connection that unfolds against a backdrop of mundane jobs and life’s unpredictable challenges.
Ansa, dismissed from her cashier job for her compassionate act, encounters Holappa at a karaoke bar. His silent demeanor contrasts with Huotari’s failed attempts to impress with his singing. Holappa, captivated by Ansa, undergoes a transformative journey, confronting his choices amid a series of jobs. Kaurismäki subtly explores themes of alcoholism, depicting characters with nuance and restraint, steering clear of typical portrayals.
The film’s emotional resonance is heightened by its formal precision. Each shot serves a purpose, contributing to the narrative’s overall strength. Performances are measured and restrained, reflecting Kaurismäki’s unique deadpan style infused with unexpected warmth. A canine companion introduces a touch of enigma, lifting the film’s spirit. As Ansa unveils a new name for the dog in the uplifting finale, Kaurismäki bestows his film with an honorific that encapsulates its own unique brilliance, a detail too precious to unveil.’
Also read: Killers of the Flower Moon: Unveiling Americas Haunting Past
Featuring dry, sarcastic humor and a touching tale of two isolated individuals finding companionship, this is Kaurismäki’s version of a heartwarming film, despite the underlying theme of impending liver failure.
RogerEbert.com’s Glenn Kenny awarded the film a perfect four stars, remarking that, at just eighty minutes long, it’s a heartfelt romance that follows traditional storytelling patterns. Time magazine hailed it as a “subtle masterpiece”, possibly Kaurismäki’s finest work.
Is the movie ‘Fallen Leaves’ available on Netflix? While the streaming platform offers a wide variety of TV shows and movies, ‘Fallen Leaves’ is not currently included in their catalog. We suggest checking out other dark fantasy films such as ‘The Witcher: Nightmare of the Wolf’ instead.
]]>In the sequel, set two and a half decades after the original, Dexter Reed (Thompson) has evolved into a budding inventor and entrepreneur. However, his latest venture goes awry, resulting in his house burning down and the loss of investor support. In need of a fresh start, Dexter reaches out to his old friend and former colleague Ed (Mitchell), who warmly welcomes Dexter into his home and secures him a job back at Good Burger, now under Ed’s ownership. The plot takes a financial turn when MegaCorp lawyer Cecil McNevin (Lil Rel Howery) proposes franchising Good Burger nationwide. Unfortunately, Dexter and Ed discover the catch too late, as MegaCorp closes down Good Burger to replace it with fully automated robo-Eds, all part of a revenge scheme by MegaCorp’s CEO Katt Bozwell (Jillian Bell), the sister of Ed and Dexter’s previous nemesis Kurt Bozwell (Jan Schweiterman).
The greatest strength of Good Burger 2 lies in its ability to faithfully recreate the fun and humor of its forerunner, but this adherence to the original’s formula also poses its main challenge. The sequel follows familiar beats, such as Dexter’s pursuit of a quick financial gain, Ed’s impossibly naive yet lovable nature, the threat from a rival burger chain, and a surprise Good Burger delivery to a prominent celebrity. While this familiarity will surely resonate with fans of the original and the return of Mitchell and other familiar faces, it does make the sequel somewhat predictable.
Nevertheless, Good Burger 2 injects new elements into the mix. Ed’s role as a father to a half-dozen kids, all clad in Good Burger uniforms and sporting their father’s signature braids, adds a humorous touch. Dexter’s own family story, with his failed business ventures straining his relationship with his sister and niece Mia (Kamaia Fairburn), who has become a Good Burger employee, continues the tradition of evolving characters within the Good Burger universe.
The sequel amplifies the slapstick and cartoonish elements of the original, striking a balance that keeps the humor fresh without going overboard. Thompson and Mitchell, reprising their roles, remain the linchpin of the movie. Thompson’s refined deadpan humor, developed through his journey from All That to Saturday Night Live, shines through as Dexter, a more confident and less scheming character genuinely valuing Ed’s friendship and family ties. Meanwhile, Mitchell effortlessly retains the infectious cheerfulness and fun-loving personality that make Ed a memorable character. Ed’s interactions with his son Ed 2 (Alex R. Hibbert) contribute to the overall charm of Good Burger 2, showcasing the mentorship in a comedic fashion.
Beyond the expected comedic elements, Good Burger 2 tackles relevant themes of A.I. and automation in Mega Good Burger’s business model. The movie offers surprisingly pertinent commentary on the potential replacement of human workers in the service industry, conveyed mostly through Ed’s character. Both Ed and robo-Ed articulate their thoughts on the matter convincingly and with fitting hilarity.
Ultimately, Good Burger 2 accomplishes what every legacy sequel aims forit evokes a warm sense of nostalgia while introducing new characters and ideas. The film largely succeeds as a lighthearted, family-friendly romp, perfect for the holiday season. While it might closely follow the story structure and template of the first Good Burger, the delightful and charming fun of Good Burger 2 demonstrates that the franchise still has plenty of life left in it.
Also read: “Ed and Dex Return in ‘Good Burger 2’: Kel Mitchell and Kenan Thompson Reunite for Hilarious Sequel
There is some mild swearing in the film, using words like “hell”, “punk ass”, and “jackass.” Some parts may come across as cheesy, but all in all, it’s an enjoyable movie to watch with your kids or family. 2 individuals found this review helpful.
After Nickelodeon cut ties with Dan Schneider in 2018 following misconduct allegations, he didn’t reprise his role as Mr. Bailey in the Good Burger sequel. Sinbad, who voiced the business manager, previously played Dexter’s teacher Mr. Wheat in the first film.
For “Good Burger 2,” Thompson and Ryan brought $10 million to Paramount/Nickelodeon out of the $30 million budget. AFA is exploring additional ways to make money. “Merchandise and pop-up items contribute a significant portion of our revenue. There are various avenues to explore.”
Get ready for the long-awaited debut of Good Burger 2, featuring Kenan Thompson and Ken Mitchell, hitting theaters on Nov. 22, 2023. This original sequel is a follow-up to the beloved ’90s movie Good Burger, inspired by the sketch from the Nickelodeon show All That.
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